Resonator

00:00 Resonator Spot
00:26 Raisa K ft. Coby Sey – Stay
04:14 Kagami Smile – Tears Of The Sunset
06:00 Nikolas Valsamakis – Ionisations
09:19 MPU101 – PEACEmaker
13:30 Seijiro Murayama & Kazushige Kinoshita – 4 3 3 1 1
15:26 Tori Kudo – River Song
17:10 Katerina Tzedaki – By The River
18:48 Mats Lindström – Invocation 1
21:10 Fis and Rob Thorne – Tor-201
24:47 Wojciech Rusin – Behind The Palazzo
28:09 Spyros Polychronopoulos – Void III
32:25 Demdike Stare and Kristen Pilon – Grab Her Neck And Tell Her I Love Her
34:30 Chris Watson – 3m
36:30 Retep Folo & Dorothy Moskowitz – The Enchanted People
40:05 Philip Jeck – Live in Tāmaki Makaurau Auckland
44:15 Barrio Sur – Gang Culture (with Alex Zhang Hungtai)
46:22 Martijn Comes – Grace As Promarker
48:55 Nicolas Jaar – Rio Radio Correspondencia Anfibia
51:49 Dorothy Carlos – My Buddy (Miss You In Ear World)
53:30 Luciano Maggiore – Intersezioni Di Vortici, Studi Ritmici E False Chimere (Track 09)
54:35 Giuseppe Ielasi – Effacing Colours, Barely Dancing

Raisa K
Raisa K, aka Raisa Khan, is a songwriter, producer and musician based in London.
https://raisaraisak.bandcamp.com/album/affectionately

Kagami Smile
Kagami Smile’s “Lifeless” emerges as a haunting exploration of degraded electronics and raw machine improvisations. Throughout its runtime, corroded synth passages dissolve into pooled ambience, while live drum programming cuts through the fog with an urgency that feels both desperate and hypnotic.
https://opaltapes.bandcamp.com/album/lifeless

Nikolas Valsamakis
Nikolas Valsamakis composes mainly electroacoustic and computer-aided music. He is especially interested in the directions of algorithmic music, microsound and non-standard synthesis.
https://essim.bandcamp.com/album/2024

MPU101
Electronic musician, living in Chiemgau, Bavaria, Germany. Born: 12 October 1984 in Bielsko-Biała, Poland.
https://iliantape.bandcamp.com/album/itx036-mpu106

Seijiro Murayama & Kazushige Kinoshita
Kinoshita (violin), Murayama (percussion), and Oshiro (recording engineer for this CD),
each of them inserted several moments of silence (timing and duration) in a framework of “composition for improvisation (11 min x 5)” so as to give it a time structure (the idea came from Murayama).
but eachone did not know what was decided by the other two.
the duration of the recording was chosen as the titre of the CD.
the recordings were done only once ( in particular, a pair of microphones were put outside).
without any mixing, during or after the recording.
https://ftarrilabel.bandcamp.com/album/59-0168

Tori Kudo
Tori Kudo is a musical pioneer from Japan whose inspired a unique cult following since the late 1970s. His music has often included elements of avant-folk, psychedelic, art pop and free jazz, and perhaps his most exclaimed musical characteristic is his openness to error in performance. Tori has cited this characteristic as purposeful, to reflect our imperfect life.
https://torikudo.bandcamp.com/album/studio-village-hototoguis-2007-2022

Katerina Tzedaki
Katerina Tzedaki (b. Rethymno, Crete, 1964) is a Greek composer of electroacoustic music. Studied music in Athens (1984-1991) with I. Ioannides, S. Vasilleiades and D. Kamarotos and has been coordinator of the Computer Music Lab of the Program of Psychoacoustics of the Aristotle University of Thessaloniki (1994-2000). She completed her studies in electroacoustic music composition at City University, (MA, 2002) and at De Montfort University (PhD, 2012) with Simon Emmerson.
https://essim.bandcamp.com/album/2024

Mats Lindström
Mats Lindström is a composer and musician, often working with live electronics and using intermedia, scenic elements and visual art to complement the music. He has worked with music for theater, radio art and dance, and has also devoted himself to constructing musical instruments.
He was both producer and chairman of Fylkingen in the 90s. Since 2004 he is the artistic director of EMS, Elektronmusikstudion, in Sweden. He regularly gives lectures on sound art and the history of the Swedish electronic music scene.
https://idealrecordings.bandcamp.com/album/low-fidelity

Fis and Rob Thorne
Subtext presents Clear Stones, the first meeting between two distinct voices from New Zealand. In a unique collaboration, Māori sound artist Rob Thorne (Ngāti Tumutumu) and Berlin-based electronic composer Fis dismantle boundaries in space, time, and genre, juxtaposing Thorne’s living, breathing practice with the weight of modern sound systems.
https://fisrobthorne.bandcamp.com/album/clear-stones

Wojciech Rusin
Wojciech Rusin is a Polish-born audio visual artist based in London. He draws inspiration from alchemical and gnostic texts, early renaissance choral music and Eastern European mythologies. He released Syphon LP on AD 93 in 2022 and The Funnel LP on Akashic Records in April 2019. He designs and makes 3D-printed reed instruments, reworking ancient designs with contemporary 3D modelling technologies.
https://ad93.bandcamp.com/album/honey-for-the-ants

Spyros Polychronopoulos
Spyros Polychronopoulos, formerly known as Spyweirdos, is based in Athens, Greece, and deeply immersed in the world of sound, exploring its multifaceted nature as both a scientific phenomenon and an artistic expression.
https://room40.bandcamp.com/album/void

Kristen Pilon & Demdike Stare
Demdike Stare is an English dark ambient and electronic music duo formed by DJ Sean Canty and producer Miles Whittaker. The project was conceived in 2009 and is based in Manchester.
On their most explicit venture into music for moving image, Miles Whittaker & Sean Canty rudely fracture piano and vocal recordings by US filmmaker-musician Kristen Pilon in a short-circuiting of style and pattern that arguably amounts to some of their best yet on DDS.
https://dds-label.bandcamp.com/music

Chris Watson
Chris Watson, originally from Sheffield but now resident in Newcastle, England, is the world’s leading wildlife sound recordist. After co-founding Cabaret Voltaire with Richard Kirk and Stephen Mallinder, he left in 1981 to work for Tyne Tees Television and he also joined The Hafler Trio. He then left to become the sound archivist for the Royal Society for Protection of Birds. He is now working full time as a freelance sound recordist.
This is the first release in a new series of Touch 7″ vinyl only releases, ‘Touch Sevens’

TS02 – Chris Watson “Oceanus Pacificus”

Retep Folo & Dorothy Moskowitz
Collaboration between legendary vocalist, musician & songwriter Dorothy Moskowitz (United States Of America / Country Joe / United States Of Alchemy) and Swedish artist / musician Retep Folo a.k.a. Peter Olof Fransson (The Owl Report / Reportage / Exhadley).
https://buriedtreasure.bandcamp.com/album/the-afterlife-album

Philip Jeck
Philip Jeck was an English composer and multimedia artist. His compositions were noted for utilising antique turntables and vinyl records, along with looping devices and both analogue and digital effects. Initially composing for installations and dance companies, beginning in 1995 he released music on the UK label Touch.
https://philipjeck.bandcamp.com/album/the-classic-live-in-t-maki-makaurau-auckland-23052008

Barrio Sur
Fred Welton Warmsley III, is an American record producer and sound artist from Sacramento, California. Initially known for his work with the New York City-based hip hop collective Pro Era, he has since been known for producing in multiple genres including breakcore, ambient and noise music, releasing eight extended plays and two long plays since 2013, including the critically acclaimed Alternate/Endings. His debut studio album was released under the name Dedekind Cut. The entitled $uccessor, was released in November 2016.

Martijn Comes
Martijn Comes is a Dutch composer who has a special interest in sound character in various musical traditions, with a special gravity towards electroacoustic composition.
https://frixtis.bandcamp.com/album/frixtis

Nicolas Jaar
Nicolas Jaar is a Chilean-American composer and musician. Among his notable works are the albums Space Is Only Noise (2011), Sirens (2016), and Cenizas (2020). He has also released three albums as one half of his band Darkside (Psychic, 2013, Spiral, 2021 and Nothing, 2025) and two further albums under the alias Against All Logic.
https://nicolasjaar.bandcamp.com/album/archivos-de-radio-piedras

Dorothy Carlos
Dorothy Carlos is an experimental cellist and composer working in improvised performance and multi-channel sound in New York City and Chicago. Her work utilizes extended techniques and digital manipulation, merging free improvisation and computer music. She is interested in digital techniques as an opportunity to construct imaginary realities.
https://dorothycarlos.bandcamp.com/album/ear-world

Luciano Maggiore
“intersezioni di vortici, studi ritmici e false chimere” is a suite of ten short compositions for modular analog synthesizer (except for one track that incorporates a few sounds recorded with a microphone). Initially conceived as series of studies on panning and phasing, the work ended to incorporate parts of two other series, all realised in Bologna between November 2011 and March 2012. The cover includes some of Maggiore’s drawings from the same period. Luciano Maggiore lives and works in Bologna, and this is his first solo cd.
https://lucianomaggiore.bandcamp.com/album/intersezioni-di-vortici-studi-ritmici-e-false-chimere

Giuseppe Ielasi
Born in 1974, Giuseppe Ielasi grew up in the south of Italy and now resides in the outskirts of Milano with his family. He has been making music and touring since the late nineties (he tours much less nowadays). He mostly plays solo, but also in Bellows (with Nicola Ratti), Rain Text (with Giovanni Civitenga) and in duos with Enrico Malatesta, Kassel Jaeger, Andrew Pekler and collaborates regularly with film-maker and photographer Armin Linke (also editing his films). He has released (short) records on 12k, Entr’acte, Senufo Editions (which he co-curates with Jennifer Veillerobe), Dekorder, Holidays, Error Broadcast (as Inventing Masks), 901 Editions, Black Truffle and a few other labels.
https://901editions.bandcamp.com/album/effacing-colours-barely-dancing