Resonator

00:00 Resonator Spot
00:27 Vera Dvale & Crippled Ships – Fulgurite Branches (Under the Oak)
03:19 Adela Mede – Sing With Us
05:43 Jules Reidy – Trances I
13:01 Dorothy Carter – Autumn Song
18:43 Teresa Winter – Flower Of The Mountain
23:53 Paavoharju – Unohtaa
26:30 Vashti Bunyan – Glow Worms
28:42 Pauline Anna Strom – Blood Celebrants
32:50 Lena Platonos – Ηδύποτο Ρουμπίνι
34:16 Mary Lattimore, Rachel Goswell, Samara Lubelski – Yesterday’s Parties
43:00 Colleen – Les parenthèses enchantées – Movement III
47:15 Mica Levi – Love
50:45 Laurel Halo – Abandon
54:15 Olivier Messiaen – Louange à l’Éternité de Jésus

Vera Dvale & Crippled Ships.
Seamstress of nocturnal synaesthetics, weaver of worlds of spatial immersion, Vera Dvale is occasionally producing and releasing music. Her current base, h3KSH3IM, is frequented by friends and collaborators as sanctuary, studio and conduit.
https://intheneighbourhoodofthesunthemoonandthestars.bandcamp.com/album/ether-blossoms

Adela Mede.
Adela Mede embellishes carefully crafted songs with minimalist and folklore influences, but also embraces more experimental approaches. The result is a collection of quite varied yet consistent pieces which highlight Mede’s proficiency as a singer, arranger, producer and improviser. It is a grounded, confident next step for the Bratislava-based artist. Whether her vocals are naked, heavily processed, warped and reversed, or looped and layered; whether the production is sparse and minimalist or overwhelming and swampy; none of that changes the fact that the gentle tentativeness of her debut is gone. This is “Central European music”, at its most striking and meaningful: patient, determined, embracing both complexity and possibility.
https://adelamede.bandcamp.com/album/ne-l-pj-a-vir-gra

Jules Reidy.
Trances, Jules Reidy’s follow-up to the celebrated World in World (2022), takes place in between states, tracing a kind of restless movement in search of—or is it away from?—a center. The twelve tracks shift between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.
https://juliareidy.bandcamp.com/album/trances

Dorothy Carter.
Dorothy Carter was many things – a virtuoso player, storyteller, historian of Celtic and Appalachian folk music, avid lifelong busker, avant-garde musician, and itinerant troubadour, laying a framework for music that existed both within and outside of standard folk idioms – never better represented than on her 1978 masterwork, Waillee Waillee. Underscored by Bob Rutman’s cavernous bowing of the steel cello, the richness of Waillee Waillee’s sound produces an album unlike any other in her discography. In particular, its two side-ending pieces, “Summer Rhapsody” and “Tree of Life,’’ glide with the shimmering filigree of hammered dulcimer and Dorothy Carter’s ephemeral voice floating over Rutman’s droning buzz of the steel cello. The elements of these two tracks suggest something akin to a transcendental Appalachian raga or whirling cosmic folk music, an effortless combination that serves to add additional substance to the remaining tracks on the album.
https://paltoflats.bandcamp.com/album/waillee-waillee-2

Teresa Winter.
Yorkshire based composer and musicologist, Teresa Winter, is a mainstay on prism-pushing experimental labels Night School, Death of Rave, Kashual Plastik, and Boomkat’s in-house Editions imprint. With a doctorate on the vitally important English composer and electronic music pioneer Delia Derbyshire, her work exists in conversation with the sonic and technological legacies of modernism, post-structuralist theory, and esoteric ritual practices.
https://night-school.bandcamp.com/album/proserpine

Paavoharju.
In early winter of 2021, Lauri Ainala discovered a graveyard of glass negatives beneath the abandoned and dilapidated building known as the Solmu house. Erosion had already done its job, and many of the glass plates that were nearly a hundred years old had been wiped clean. In some of the pictures, time had painted ghostly and tattered shadows of the figures, beckoning forth others who had already been buried once before. Inspired by these pictures, new music began to emerge, which from the beginning felt like a continuation of Paavoharju’s first two albums in terms of style, soundscapes, and atmosphere. Yön mustia kukkia sprouted from the decayed edges of the glass negatives, giving birth to the third part of the trilogy recorded for Fonal Records.
https://fonal.bandcamp.com/album/y-n-mustia-kukkia

Vashti Bunyan
Jennifer Vashti Bunyan is an English singer-songwriter. Beginning her career in the mid-1960s, she released her debut album, Just Another Diamond Day, in 1970. The album sold very few copies and Bunyan, discouraged, abandoned her musical career. By 2000, her album had acquired a cult following; it was re-released and Bunyan recorded more songs, initiating the second phase of her musical career after a gap of thirty years.
https://en.wikipedia.org/wiki/Vashti_Bunyan

Pauline Anna Strom.
Echoes, Spaces, Lines collects Trans-Millenia Consort, Plot Zero, and Spectre, the first three albums by the late West Coast composer, healer, and medium Pauline Anna Strom. Exploring all corners of the multiverse through transpersonal form and freedom, Strom’s first three albums share a singular sensibility, different streams flowing from the same oracular font. Echoes, Spaces, Lines establishes Strom’s rightful place in the canon of great synthesists. Restored and mixed from the original reels by Marta Salogni, newly remastered, and adding Oceans of Tears, a fully realized but previously unreleased album exclusive to the physical editions of this box set, these are the first official reissues and the definitive encapsulation of Pauline Anna Strom’s prolific and visionary early work. This four LP box set includes a 12-page booklet containing liner notes, an unearthed interview with Strom, and unseen ephemera.
https://paulineannastrom.bandcamp.com/album/echoes-spaces-lines

Lena Platonos.
Lena Platonos is a Greek pianist and composer of electronic and art music. She took a leading role in the Athens electronic music scene of the 1980s, and her work has constituted a lasting inspiration for Greek electronic musicians in the subsequent decades. She is most known for her participation in the Hellenic Broadcasting Corporation’s (ERT) children’s musical show “Lilipoupoli”, as well as for her unique personal work.
https://lenaplatonos.bandcamp.com/

Mary Lattimore.
Through evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time.
https://marylattimoreharpist.bandcamp.com/album/goodbye-hotel-arkada

Colleen.
Colleen thrives on reinvention. For over two decades under the name, French artist Cécile Schott has continuously pushed her compositional practice into new directions. Her creative approaches have included complex samples and loops, instrumental processing and even dub production techniques applied to the baroque viola da gamba. Each album immerses the listener in a wholly unique world while remaining unmistakably a work by Colleen.
https://colleencolleen.bandcamp.com/album/le-jour-et-la-nuit-du-r-el

Mica Levi.
Mica Levi, also known by their stage name Micachu, is an English singer, songwriter, composer and producer. Levi is classically trained and since 2008 has released experimental pop music with their band Good Sad Happy Bad (formerly Micachu and the Shapes), including the critically praised debut album Jewellery in 2009.
https://lightintheattic.net/products/under-the-skin

Laurel Halo.
Atlas, the latest album from renowned electronic artist Laurel Halo, is a suite of sensual ambient jazz collages, designed to take the listener on a roadtrip through the subconscious. Blending both synthetic ambient textures and acoustic instrumentation, the album is a series of endlessly listenable maps, rife with hidden detail.
https://laurelhalo.bandcamp.com/album/atlas

Olivier Messiaen.
Olivier Eugène Prosper Charles Messiaen was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex. Harmonically and melodically, he employed a system he called modes of limited transposition, which he abstracted from the systems of material his early compositions and improvisations generated. He wrote music for chamber ensembles and orchestra, voice, solo organ, and piano, and experimented with the use of novel electronic instruments developed in Europe during his lifetime.
https://canary-records.bandcamp.com/album/quatuor-pour-le-fin-du-temps-the-first-recording